There was a time on Inle Lake, Myanmar where the fishermen really did use cone-shaped nets you and where they did in fact move around their long narrow boats in a somewhat acrobatic fashion, but today that ‘old way’ of fishing has been exchanged for the much wider cast of the gill net.
Yet, a number of the ‘old guard’ anticipate the afternoon arrival of tourists like my students and myself, and as the sun starts to set, they put themselves in a position to ‘perform’ and near sunset the performance takes on a more hurried performance, and soon we are witness to a crescendo of movements that are mindful of a ballet performance.
While seated in our long boat, my students and myself, jockey for position, backs bent over and arms outstretched with cameras in hand near the waters edge. We are also afforded the opportunity to direct our subjects in so far as requesting them to row closer, or move left or right or lean back or forward.
Shooting them against the strong backlight of the sun results in countless silhouettes, due to the rapid fire of our cameras motor drive, (CH) and as they move about we are afforded numerous starbursts, as the sun peaks out from behind their dance, starbursts that are made possible because we are using F/22.
And finally, the sun still has 25 minutes before it sets behind the mountains, and there is minimal color in the sky, so how did I capture the GOLDEN SUNSET light, 25 minutes BEFORE the golden sunset light appears? I set my WB to 10,000K and voila, the GOLDEN SUNSET light magically appeared. You keep shooting!
NikonD500, Nikkor 18-300mm, F/22@1/320 sec. 200 ISO…(extra tip: DO NOT USE ANY FILTERS, NOT EVEN UV HAZE/SKYLIGHT FILTERS as this will risk lens flare when shooting into the sun.)
You Keep Shooting,
-BPSOP Founder – Bryan F Peterson