Ready to have fun getting outside the box?

In Finding Beauty we explore the concept of a quiet image. Each week we come at the concept from different directions.

Here’s a look at some student work and what each had to say about Finding Beauty.

As you can see, this fun course will get you to move the needle on your creativity!

 

Images: Doreen Weekley

“Thanks for the thought-provoking lessons in your Finding Beauty class. Without giving away the class concepts I can say that it really made me think about what I enjoy shooting and why I like it. It was fun seeing how everyone in the class approached the lessons and I plan to continue this exploration even after the class ends.”

— Doreen Weekley

 

Images: Chrissy Healy

“After feeling the need to learn something different, I’m absolutely delighted that I decided on Brit Hammer’s course Finding Beauty. I worried that being in lockdown would be limiting, but you can literally use any subject for these assignments. Brit’s inspiring and detailed explanations show a way of looking at photographic opportunities to evoke quiet, minimal images using any subject matter. Her critiques are so encouraging and help nudge students towards their own personal creative direction. I’m a natural light fan but even dusted off the flash kit to try these images for week 3! With one more week left of the course, I’m motivated to keep going with this theme. I’ll miss Brit’s assignments – every reason to take another of Brit’s courses very soon!”

— Chrissy Healy

 

Images: Linda Block

“I thoroughly enjoyed your class! It helped me look for what was important in an image and gave techniques for distilling it down to the essence of the scene I was trying to capture. I loved that you challenged my creativity and tried to push each of us forward on our photographic journeys! This exercise was very relevant in this time of the COVID-19 pandemic. I think decluttering and recognizing what’s truly important is exactly what will help us get through this challenging time.”

— Linda Block

 


 

SIGN UP FOR A FUN CLASS WITH BRIT HAMMER

Finding Beauty

Beautiful Black & White

Authentic Photo Stories

Celebrate Your Life in Beautiful Images

Photography Essentials

Amazing Travel Photos Made Easy

** No post processing skills necessary for any of Brit’s courses **

 

FIND OUT MORE ABOUT BRIT

Brit Hammer is an international award-winning photographer, bestselling author, and a celebrated artist whose work is aptly described as fresh and optimistic.

Brit’s students love her intuitive eye, patience, enthusiasm and holistic nurturing because the results are unbelievably incredible and inspiring student growth.

Visit Brit’s website at brithammer.com

Learn more about creative development and one-on-one mentoring with Brit

Follow Brit on Instagram

 

“There are great photographers and great teachers, but it is rare to find a great photographer who’s also a wonderful instructor; Brit embodies that rare combination.” — Tennessee Rick Elliot

 

Personal Pearl of Wisdom: Get Up and Give me Six.

Inspiration for these posts come in all flavors anytime day or night…no matter what I’m doing. So to tell you that this one came from surfing my cable television provider on a particularly dreadful evening where you wonder why you have to pay so much to get absolutely nothing of any content or cerebral stimulation.

As I had my thumb sitting on the up button, watching the programs whiz by at close to warp speeds I suddenly stopped, backed up and began watching the PBR Network. An obscure channel (at least for this city boy) that’s all about professional bull riding…as in PBR…and by the way not to be confused with Pabst Blue Ribbon beer.

I quickly became enthralled, fascinated as to who had the biggest testicles the bulls or the cowboys willing to ride these four-legged monsters whose main purpose in life as I see it…is to kill, maim,  mutilate, or seriously injure those that decide to get on and ride it for eight seconds right into the history books as heroes and legends for unnamed prizes, big trophies and or cash.

In my online class with the BPSOP, and in my “Stretching Your Frame of Mind” workshops I conduct around our planet, I’m often telling my fellow photographers that visual input is a part of our everyday life ,and if we can make it our objective to present this visual information in a way that makes  it worthwhile for the viewer to stick around, we’ve done our job as an artist and photographer. Make him an active participant by moving him around the frame via line, having him discover things in your composition while he’s moving around the frame, and create what I refer to as Layers of Interest.

These Layers of Interest should work together in harmony and be balanced. There should be some sort of rhythm that makes the viewer comfortable while looking around for things to discover. I can tell you that once the viewer sees something interesting, he’ll look for another.

Creating depth by using wide-angle lens to anchor your subject up close and personal is another way to keep the viewer around. The use of light, communicating ideas using color are others.

Here’s what it all boils down to:

When I’m shooting and right before I click the shutter, I ask myself if the photo I’m about to take was a print hanging on a wall during the opening of a new trendy gallery…surrounded by other photos. There are people dressed up in hip and trendy new fashions, holding cheap Merlot or Chardonnay wine in plastic glasses, milling around looking important, hoping someone will see them, and occasionally looking at the photographs.

Would any of them stop from self-indulgent reverie and look at my photo for at least six seconds, or stroll by with nothing more than a cursory look. If I can’t say with the utmost assurance to myself that yes they will stop, then I re-think my composition and not go any farther as far as committing to the final act of clicking the shutter.

Eight seconds is a very long time to expect someone to study your photograph as well as it is riding a bull. For me, I like the challenge, but perhaps six seconds is more like it; still a long time. If you adhere to some of my ideas and practices, you’ve got a very good chance to last the full eight seconds and take home one of those coveted trophies…maybe a silver silver belt buckle in the shape of a camera would be more appropriate.

-BPSOP Instructor: Joe Baraban

Joe Teaches:

Stretching Your Frame of Mind I 

Stretching Your Frame of Mind II

The Use of Gestalt in Photography

The moment I became a photographer

This is a re-post from BPSOP instructor Brit Hammer’s blog


How it all started

In 2014 my filmmaker husband, Armand Dijcks, and I teamed up with Athena Carey to film a fine art landscape photography tutorial. She’s a brilliant photographer and instructor, and that’s her in my behind-the-scenes photos.

Together we created Africa with Athena, an immersive, travelogue style video tutorial transporting you to several beautiful locations for what feels like your own private photography workshop with Athena.

Our goal was that you feel relaxed by the end, even if you have no intention of photographing long exposure landscape images or creating fine art photos.

 

Spontaneity is your friend

So how did we get the video to feel so relaxed and authentic?

Normally we’d plan the filming sequence, have a script, and know what will be demonstrated in each location, but we wanted to capture an honest portrayal of Athena’s process creating fine art photographs.

This meant we allowed the shoot to evolve organically. If you are a filmmaker or editor I wouldn’t be surprised if you run screaming for the hills at the thought.

Here’s why we did it this way: creating art cannot be forced.

While shooting organically is risky, what mitigated the risk is that Armand and I have filmed and photographed extensively in these locations — in winter and summer, day and evening, rain and shine.

 

Keep your eyes on the action

Since we filmed with just one camera (operated by Armand), I was free to shoot behind the scenes (BTS).

Photographing BTS is similar to street photography in that you’re capturing candid moments. It requires you to be quick with your camera because you don’t know what’s going to happen next.

Armand filmed as Athena went about her business. He moved around her, being careful to keep his shadow out of her shot. I then moved around Armand, making sure to stay out of both his and Athena’s shots.

For the BTS shots I used Athena’s Sony RX-100 rather than the camera I had with me. Although it was my first time using this sophisticated compact camera, I found it easy to use (and later bought one for myself).

In the video Athena’s entire process of creating fine art images is shown and explained from start to finish. She created multiple long exposure images shot on several locations.

There was one location Armand and I had not been to prior to this shoot — the dunes. Me, I was afraid I would come away with nothing interesting. After all, what is there to shoot except sand?

Wow, was I wrong!

My favorite images from our 10-day shoot are shown above, taken within a few seconds. If you’ve ever taken a photography class with me you’ll know I got these in-camera. Nothing was staged and no one posed.

The trick for capturing moving action is to watch the action with your eyes, not through the viewfinder or on your LCD. Because if you do, you’ll quickly lose the action happening. Instead, follow the action with your eyes and glance at the LCD to check your framing, adjusting as necessary. Have your finger on the shutter release and be ready to shoot.

 

Know when NOT to shoot

The hard truth of photography is that you have to take a lot of bad photos before you gain enough experience to know when NOT to press the shutter release.

That’s perhaps the hardest lesson to learn, and it applies to every genre of photography.

Thing is, there’s no short cut to learning. If you were to just start clicking away, the rule of ex nihilo, nihil fit would apply — from nothing comes nothing. Put another way, you get out what you put in.

 

Shoot, review, adjust. (Repeat)

Each of us has to do the work and invest the time if we’re going to get good at photography.

The reason it takes time is that most of us don’t absorb everything in one go — we learn incrementally.

So review your images after each shoot to see what you did well and what might be improved. Then go out again, using what worked and making changes for what didn’t. While on the shoot review your images and make adjustments as necessary.

Keep at it and eventually you’ll know how to adjust to quickly get the results you’d like. More importantly, you’ll have learned when NOT to press the shutter release and will make the adjustments first.

This will improve your consistency at getting good images — and in-camera.

The bonus is that your workflow will be shortened. Instead of spending hours trawling through hundreds of images to find one good one, you’ll have fewer to go through. It also frees up disk space.

While there’s no short cut to learning, if you invest in yourself you’ll reap the rewards.

 

Make it an enjoyable experience

No matter what you’re doing — learning a new skill or creating a client project — it makes a big difference when everyone involved is enjoying the process.

Case in point: while we filmed at sunrise, sunset, and in the afternoons on most of the 10-day shoot, we also took time to relax. Because hey, if someone wasn’t having fun it would show in the finished video.

So Armand and I introduced Athena to some of our favorite places in South Africa’s Western Cape, including restaurants and wine estates. Above are some images prior to our wine tasting at Ataraxia wine estate, located in the Hemel-en-Aarde Valley near Hermanus.

Oh, and perhaps it’s worth mentioning that Ataraxia is a Greek term meaning a state of serene calmness, and Hemel en Aarde is Afrikaans for Heaven and Earth.

The moment I became a photographer

I had been photographing for many years, so what happened to me and why did I not feel like a photographer prior to that 2014 shoot?

Well, I’d been upset with my shots on the first day, so each successive day I pushed myself to do better than the day before. This brings us back to ex nihilo, nihil fit. Or conversely, you get out what you put in.

After the final shoot on the last day we were hiking out of the dunes when I hung back to stay in the atmosphere a wee bit longer. As I took my final shot I felt something shift within myself.

I realized that over the course of those 10 days I had worked with what was in front of me and captured a series of solid images, no matter the weather, time of day, or how good (or bad) I was feeling. It included shots of the dog who followed us as we filmed in the dunes. (She resides with the reserve’s caretaker.)

So what I now felt was the feeling of confidence and self belief.

I had doubted my abilities but now finally KNEW through experience that I could get the shots. No longer did I feel like a fraud or wannabe because I had finally proven to myself that I could do it!

 

Get a taste of what we created

The below video trailer gives you an impression of  “Africa with Athena”, a travelogue style tutorial that transports you to several gorgeous locations in South Africa’s Western Cape, including the Cape Agulhas shipwreck and Danger Point Lighthouse.

“It is rare to be thoroughly engulfed and transported into such photographic beauty. I was educated, entertained, and inspired. Not only is Athena truly a gifted photographer, but an educator as well. From scouting locations to final post-processing, Athena takes her viewers through every step in a manner that is not only entertaining, but easy to understand, no matter what your skills are as a photographer. This is a must-see, must-have video adventure.” — Stan Fong

 

 

 


 

SIGN UP FOR A CLASS WITH ATHENA CAREY

Black and White Fine Art Photography

Athena Carey

Athena Carey is a multi award-winning fine art travel photographer specializing in long exposure and black and white photography.

She is widely recognized for her ability to capture the emotional essence of place and time within her images.

Athena’s work is published in various books, magazines and websites and has been printed and hung around the world in private homes and businesses.

Visit Athena’s website at: www.athenacarey.com

Follow Athena on Instagram

“Not only is Athena truly a gifted photographer, but an educator as well.” — Stan Fong

 


 

SIGN UP FOR A FUN CLASS WITH BRIT HAMMER

Finding Beauty

Beautiful Black & White

Authentic Photo Stories

Celebrate Your Life in Beautiful Images

Photography Essentials

Amazing Travel Photos Made Easy

** No post processing skills necessary for any of Brit’s courses **

 

Brit Hammer is an international award-winning photographer, bestselling author, and a celebrated artist whose work is aptly described as fresh and optimistic.

Brit’s students love her intuitive eye, patience, enthusiasm and holistic nurturing because the results are unbelievably incredible and inspiring student growth.

Visit Brit’s website at brithammer.com

Learn more about creative development and one-on-one mentoring with Brit

Follow Brit on Instagram

 

“There are great photographers and great teachers, but it is rare to find a great photographer who’s also a wonderful instructor; Brit embodies that rare combination.” — Tennessee Rick Elliot

 

 

White background in the Flora photography

We love sharing the best work of our PHOTOGRAPHING FLORA students. In this class we talk a lot about the importance of the background and how a bad background can steal the thunder of your main subject in the photo! And while we definitely encourage our students to experiment and explore different backgrounds, we also find ourselves enjoying pictures with the most simple background possible – just pure white color. White is about simplicity, about cleanliness, virginity, purity… But above all – about NOT taking the focus from the main model!

There are several ways to achieve a nice white background.

  • Obviously, the very basic one is to use just a white, well background – for example paper, cloth, or even a shirt… But this might get a little bit tricky when you are photographing with available ambient light as you will need to minimize the presence of shadows
  • You can use your electronic flashes or softboxes. Our favorite way to use the flash is to photograph together with white opaque plexiglass sheets.
  • Another way is to tape your subject onto the window and photograph flora against the strong outdoor light. You would be surprised how a nice and simple white background can be created by playing with the exposure!

All methods above (and so many more!) we are covering in our class and our participants are sharing beautiful images with us. So do not take only our words for it and let us illustrate what we really mean by “Flora on white background”, with several outstanding examples, taken during our previous Flora classes…

 

And what do our students have to say about Photographing Flora class?

I truly enjoyed this course. It got me outside to shoot and to think about flora. The lessons were fabulous. The class photos were beautiful I would recommend this course to anyone interested in flowers and  flora. Thank you, Patrik and Monika
Martha Rumley 

Thank you for a wonderful and inspiring class. With your encouragement I have been able to play and experiment and be creative with my flower photography. I truly appreciate the lessons and the excellent critiques.
Pam Corckran

This has been an eye-opening class.  Watching critiques has been invaluable, with his kind encouragement and clear guidance for improvement.  I hear Patrik’s voice in my head sometimes now when I take photos now! I also learned a lot and gained inspiration from my classmates. I will probably take it again.
Mika Geiger

Thank you, Monika and Patrik. Your style of teaching is so much fun and enjoyable. There are lots of things to learn but not enough time to do it! I wish you can change it to 6 weeks! Your video critiques are most helpful. I learned quite a few techniques from your suggestions by listening to your critiques from my classmate’s works.
Vangie

 

PHOTOGRAPHING FLORA class begins September 4th, please join us here and learn how to photograph Flora too.

We are looking forward to meeting you in class!

Patrik and Monika Banas

 

© Alyda Gilmore

 

© Maureen Rogers

 

© Tomas Feller

 

© Beverly Burke

 

© Maria Sevecova

 

© Kveta Trckova

 

© Maureen Rogers

 

© Beverly Burke

 

 

© Francine Sreca

 

© Jacqui Nye

 

 

  • I really enjoyed this course on composition a lot and learned again as always! Have just been through some more of your critiques for others in class – I also love to learn by seeing work of classmates. A big “thank you” for a great four weeks! You are always kind and never discouraging! This has been wonderful and helps a lot!! Read More
    Séverine Blaise Understanding Composition
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