Food For Digital Thought: Harmony

23colorDM-768x1176Although it would be nice if everyone lived in harmony with one another, that concept will most probably have to wait. Until then I would like to talk about something that can happen right now, and that would be to seek out and use colors that are in harmony with one another in your photos.

Since my background is not in Photography but in painting and design, I’ve learned through my studies which color is in harmony with another. I taken that knowledge and have applied it to my love of photography. By the way, I still consider myself an artist, I’ve just switched the medium from a paintbrush to a camera.

I tell my students that take my online classes and those that have taken my “Stretching Your Frame of Mind” workshops I conduct all around the planet that a camera on a tripod is just like a blank canvas on an easel. I talk a lot about color since it’s a basic element of visual design, and should be thought of as a very important tool in creating those works of art…the same ones you find on a canvas.

The methods we use to gain attention to our photography will vary, but what’s important is how we manage what the viewer perceives and processes when looking at the visual information we lay out to him in the form of a photograph. Humans rely on perception of the environment that surrounds them. Visual input is a part of our everyday life. Color, and understanding how the viewer perceives color, is what we as photographers have as a tool to present this information in a way that creates a sense of harmony.

monoIn my opinion we spend far too much time dwelling on so called ‘Rules’ in Photography: The Rule of Thirds (the silliest of them all), The Leading in Rule, Never Clip the Highlights, are three that come to mind and I’ve written posts about them going back six years.

We also think about shutter speeds, DOF, cropping (please don’t do that!), White Balance, etc., etc., ad nauseam. I can tell you that color should be considered right alongside every other facet when composing your photo.

Color is a great resource when trying to get across an emotion, drawing the viewer into our photos, making the subject stand out against the environment he or it is in, creating visual tension, visual interest, balance, and a sense of order in our present day chaotic world.

Screen-Shot-2017-06-24-at-4.01.22-PM-500x483Ok, let’s first talk about ways to achieve harmony through the color wheel, which as a trivia question for you to someday know, it was invented by Sir Issac Newton….yes it’s the same guy, the one who discovered gravity.

There are four main ways to create harmony using color: Using Monochromatic,Analogous, Complementary, and Triad colors.

The word monochromatic would usually conjure up the old black and white days, but it can also apply to color. In this application it’s made up of just one color, and different shades of it. This will create a visually balanced and appealing photo, albeit one that’s low in contrast; good to use when you don’t want a particular object stand out from the rest of the environment.

 colors are those that are next to one another on the color wheel. They live in harmony because of the similar hues. They’re pleasing to the eye and appear more often in nature than monochromatic and complementary colors do. That said, if you’re looking for contrast these colors wouldn’t be my first choice…complementary colors would.

Complementary colors are those that are opposite one another on the color wheel. They generate visual tension because of the contrast of one to another.

triTriadic colors on the color wheel are those that are evenly spaced on the color wheel, and will form a triangle. When using this form it’s important to achieve balance between the three colors.

Pre-visualization” is one of the guidelines in my “did it do it” list for good composition I pass out to my students. Being aware of colors that are in harmony and the effects it will have on the viewer will help you do just that…pre-visualize.

So my fellow photographers, the next time you go out think about all the tools you have on hand and make sure color and the harmony are included. Observe the effects colors have upon each another, study the color wheel and become a student of their visual relationships.

-BPSOP Instructor: Joe Baraban

Joe Teaches:

Stretching Your Frame of Mind I 

Stretching Your Frame of Mind II

“I just wanted to thank you for another wonderful class. I have to confess that each week when I read the new assignment, my first reaction was mild panic and a deep certainty that I would not be able to produce anything worthwhile that fit within the parameters you had set. But before I knew it, the ideas started to flow, and I quickly became obsessed (no, that isn’t too strong a word!) with exploring the possibilities. I can honestly say that the photos I produced in response to your assignments are among my favorites. Thanks for bringing out a creative side I didn’t know I had!”

Barbara Geiger
Understanding Color

“Thank you so very much for this course! It’s allowed me to take the blinders off and present my images for what I want them to be without being a slave to the “reality” of the camera. I would also add that in conjunction with your printing course, this has been the most useful course I’ve ever taken. Your notes are more than comprehensive and your comments and critiques are direct, clear, and always directed to the improvement of the art.”

After the click

” I want to thank you for this class and for your patience and availability to answer all of my questions. I have learned very much through this class. I have used LR in the past, but mostly for editing images. I now have a better grasp in the organization of my images, an even better understanding of editing images, and an understanding of the value of presets. I still have a lot to learn, but this has put me on the road to be able to improve my photography. Again, thank you! ”

Dale Yates
Lightroom Quickstart

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