The one simple thing that will improve your photos immediately

Adapted from Photography Essentials, taught by Brit Hammer.


The one simple thing that will improve your photos immediately

Creating a strong composition is that one simple thing.

Composition is a function of camera angle and framing.

Every time I photograph, these are the steps I follow to compose an image:

  1. Decide what the specific subject is
  2. Find a camera angle that shows off that specific subject
  3. Frame the image…so there are no distractions
  4. Focus

STEP 1: Decide what the specific subject is

Choose one specific thing. That means a key, not the key and the entire door. How the light shines through the pergola, not the entire sky. One specific thing.

 

STEP 2: Find a camera angle that shows off that one specific subject

As you learn to discern what specific part of a scene attracts your eye, begin to systematically explore the camera angles. By looking for your camera angle in a systematic way — rather than haphazardly — you’ll find that two things will improve: (1) the quality of your images and (2) your consistency getting good photos.

There are essentially three camera angles that I use because they work in most situations, from photographing people and animals to food and architecture. They are:

  1. Subject-level
  2. Top-down
  3. Bottom-up

Subject-level

Camera angle #1: Put your camera at subject level

The easiest thing you can do that will really improve your photography is to put your camera at the level of your subject. Remember, your eyes do not have to be at subject level — only your camera does!

These odd heights, such as floor level and table height, result in unexpected view points. They also feel very intimate. So put your camera where your subject is and capture that unexpected angle!

 

Top-down

Camera angle #2: Top-down

When shooting top-down, you can simplify a scene and get rid of clutter. Sometimes this also creates a new way of looking at something. Either shoot straight down or at an obvious angle — between 45-90 degrees.

Shooting top-down is great for just about any subject, from people and animals to food, interiors, and still life. The top-down angle is especially useful for showing hands at work, so if you have young children, start photographing them top-down while they’re playing, coloring, or even washing their hands in the sink!

The secret to this angle is to be between 45-90 degrees above your subject.

Start shooting top-down and see what great shots you get!

 

Bottom-up

Camera angle #3: Bottom-up

We’re used to looking straight out at eye level. Start looking upward — you might be surprised what you see! The secret is to make your camera angle obvious, between 45-90 degrees.

Shooting bottom-up works especially well for architecture and interiors but can also be used for photographing people, animals, decor, and food & drinks served in transparent dishes.

. . .

(This was a quick peek into the first two steps of Brit’s method to finding great images. Learn more when you sign up for Photography Essentials.)

 

Instructor: Brit Hammer

In Photography Essentials you’ll learn the techniques Brit uses so you can arrive at your own great images quickly and easily. With a bit of practice, they will become second nature to you!

Everything is explained simply and clearly.

We’ll work on one essential aspect at a time, broken down into parts like building blocks. By the end of the course the pieces will be put back together again so it all makes sense.

This course is for both beginners as well as experienced photographers desiring consistently great shots.

 


What students say about Brit’s teaching:

“I’ve taken many classes. With the way Brit taught and explained things, I finally said, ‘I get it’. She made me enjoy taking photographs.”

“I have taken quite a few courses offered by BPSOP and learned so much from each one of them. All of your teachers are stellar. Brit Hammer’s class and method of critiquing took me to another level, and I am so appreciative. The video format and her commitment and energy she puts into her students’ work is inspiring and makes you want to work that much harder to utilize her suggestions for improving your photographs.” – Patricia Tedeschi – Galarneau (Celebrate Your Life in Beautiful Images)

“I just wanted to thank you for another wonderful class. I have to confess that each week when I read the new assignment, my first reaction was mild panic and a deep certainty that I would not be able to produce anything worthwhile that fit within the parameters you had set. But before I knew it, the ideas started to flow, and I quickly became obsessed (no, that isn’t too strong a word!) with exploring the possibilities. I can honestly say that the photos I produced in response to your assignments are among my favorites. Thanks for bringing out a creative side I didn’t know I had!”

Barbara Geiger
Understanding Color

“Thank you so very much for this course! It’s allowed me to take the blinders off and present my images for what I want them to be without being a slave to the “reality” of the camera. I would also add that in conjunction with your printing course, this has been the most useful course I’ve ever taken. Your notes are more than comprehensive and your comments and critiques are direct, clear, and always directed to the improvement of the art.”

Bill
After the click

” I want to thank you for this class and for your patience and availability to answer all of my questions. I have learned very much through this class. I have used LR in the past, but mostly for editing images. I now have a better grasp in the organization of my images, an even better understanding of editing images, and an understanding of the value of presets. I still have a lot to learn, but this has put me on the road to be able to improve my photography. Again, thank you! ”

Dale Yates
Lightroom Quickstart

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