Peak of Action

The Peak of Action

The Peak of Action

I will often walk up to one of my fellow photographers on some street in Sicily, France, or in another destination and what I observe and notice (right away) is that the photo was not taken at the optimum point in time; to achieve the most visual interest and tension. They will quickly reach for their camera whether it be over their shoulder or around their neck and just start clicking away.

Of course one might be luckily enough to capture that moment, the peak of the action, but don’t count on it. I’ve heard soooooooooo many times someone saying, “if I would have waited I would have gotten it”…or “If I would have shot earlier I would have gotten it”. Either way you missed.

In every situation that has action in it there’s usually a moment in time that tells the story about the action you’re photographing; there’s always one exposure that the most important, and that’s the peak of the action.

Since the environment around us exposes us to various action, being at the right pace at the right time is crucial in capturing that moment. Or setting up the action and shooting it in a reportage style to make it appear as though you were in the right place at the right time (like I like to do) will work.

What I mean by the peak of action can be explained this way: If you were to throw an apple up in the air, there’s a moment in time that it’s no longer going up, but has not started to come down. That split second in time is the peak of the action; and it’s different from the decisive moment.

I know it sounds difficult, but in reality it’s quite simple to capture. The key is knowing it’s going to happen, and slow down just a touch…and preparing yourself for it. Having your camera set on continuous shooting is a very good way to get it. For me it’s a visual reaction I’ve come to rely on automatically since I’ve been doing it for a long time; certainly before the digital age.

In the above photo of the little boy, I had him jump over the sprinkler several times in front of different houses. Clearly, the boy is frozen in air. He’s no longer going up, but has not started to come down…thus, the peak of action.

BPSOP Instructor: Joe Baraban

Joe Teaches: 

Stretching Your Frame of Mind

Stretching Your Frame of Mind II

The Use of Gestalt in Photography

“I just wanted to thank you for another wonderful class. I have to confess that each week when I read the new assignment, my first reaction was mild panic and a deep certainty that I would not be able to produce anything worthwhile that fit within the parameters you had set. But before I knew it, the ideas started to flow, and I quickly became obsessed (no, that isn’t too strong a word!) with exploring the possibilities. I can honestly say that the photos I produced in response to your assignments are among my favorites. Thanks for bringing out a creative side I didn’t know I had!”

Barbara Geiger
Understanding Color

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Bill
After the click

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Dale Yates
Lightroom Quickstart

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