Crank Up that ISO for Fast Moving Subjects

Photography_learn_BPSOPI got back recently from my White horses of the Camargue  workshop in the South of France and there were a few things that we had to make sure everyone was paying attention to:  their shutter speeds and also their aperture.  Shooting these magnificent creatures for many years, you realize that both of these settings are critical to end up with great photographs.

For fast-moving subjects like these horses, you have to figure out what is the best shutter speed to capture them in motion if you want to freeze them while they are moving fast. For these white horses, a shutter speed of 1/1250th of a second works perfectly and did a great job at freezing them without any blur.

horses_running

However, when asking your camera to give you that fast of a shutter speed, it might not want to give you a stopped down aperture with a lot of depth of field. When you’re shooting up to 15 horses running right at you, depth of field is critical. So I usually want at least f/8 or higher and most of the time the only way to achieve that is to increase your ISO.

Online_photo_school

So for most of the images below of the running horses and also when we had them rearing up on two legs, I was at least at ISO 1000 but averaging around ISO 1250 and my f-stop was at least f/8 but was often at f/11. Cranking up for ISO might increase the noise but I will take that increase in noise any day compared to having a blurry subject. Having horses or birds or other fast-moving animals with motion blur in your images is never a nice thing unless you are doing that on purpose, which we also did.  Working your ISO to give you the settings that you want is a big key to success with images like this.

Scott_stulberg_BPSOP_Instructor

If your subjects are not moving directly at you or away from you, but moving from side to side and you are panning and trying to freeze them, you don’t necessarily need such a high ISO and for the last two images on the bottom I used an ISO of 500. I was also shooting more into the sun and that made a difference. But working that ISO is what you need to do when the situation calls for it. The difference can be huge!  Blurry animals aren’t attractive and finessing your cameras’ settings can can make a good shot…. a great shot!

Photography_School_online_learn

 

– BPSOP Instructor: Scott Stulberg

Scott Teaches:

Eye to Eye: Capturing the Face

 

 

 

“I just wanted to thank you for another wonderful class. I have to confess that each week when I read the new assignment, my first reaction was mild panic and a deep certainty that I would not be able to produce anything worthwhile that fit within the parameters you had set. But before I knew it, the ideas started to flow, and I quickly became obsessed (no, that isn’t too strong a word!) with exploring the possibilities. I can honestly say that the photos I produced in response to your assignments are among my favorites. Thanks for bringing out a creative side I didn’t know I had!”

Barbara Geiger
Understanding Color

“Thank you so very much for this course! It’s allowed me to take the blinders off and present my images for what I want them to be without being a slave to the “reality” of the camera. I would also add that in conjunction with your printing course, this has been the most useful course I’ve ever taken. Your notes are more than comprehensive and your comments and critiques are direct, clear, and always directed to the improvement of the art.”

Bill
After the click

” I want to thank you for this class and for your patience and availability to answer all of my questions. I have learned very much through this class. I have used LR in the past, but mostly for editing images. I now have a better grasp in the organization of my images, an even better understanding of editing images, and an understanding of the value of presets. I still have a lot to learn, but this has put me on the road to be able to improve my photography. Again, thank you! ”

Dale Yates
Lightroom Quickstart

Classes Starting Soon!

Understanding Exposure and Your DSLR

Instructor: Bryan Peterson Duration: 6 Weeks Cost: US$169 Without que…

Wireless Flash Techniques for Outdoor & Nature Photographers

Instructor: Rick Burress Duration: 4 Weeks Cost: US$129 Learn Photoshop…

The Real Photoshop Course

Instructor: Charlie Borland Duration: 4 Weeks Cost: US$129 Are you a …

The Ultimate Guide to Adobe Bridge CC

Instructor: Rick Burress Duration: 4 Weeks Cost: US$129 The Anti-Catalo…

After the Click – Refining Your Vision in Lightroom & Camera Raw

Instructor: Mark English Duration: 4 Weeks Cost: US$129 Why do some ima…

Editing in Adobe Camera Raw

Instructor: Rick Burress Duration: 4 Weeks Cost: US$129 If you love pho…

Exploring Adobe Photoshop Lightroom & Lightroom for Mobile

Instructor: Holly Higbee-Jansen Duration: 4 Weeks Cost: US$129 In this …

Lightroom Quick Start

Instructor: Holly Higbee-Jansen Duration: 4 Weeks Cost: US$129 Do you w…

Mastering Apple Photos

Instructor: Jon Canfield Duration: 4 Weeks Cost: US$129 Mastering Apple…

Luminar Essentials

Instructor: Jon Canfield Duration: 4 Weeks Cost: US$129 Luminar is an …

The Art of Printing and Selling Your Art

Instructor: Mark English Duration: 2 Weeks Cost: US$76 The print is the…

The 50 Most Useful Tips in Photoshop CC and Photoshop Elements

Instructor: Roger Morin Duration: 2 Weeks Cost: US$76 This two-week cla…

50 MORE Photoshop Tips & Tricks

Instructor: Roger Morin Duration: 2 Weeks Cost: US$76 This two-week cla…
Translate »